About: Changing of the Guard

Property Value
@idwork:81538071-0b52-425c-b63e-672fcb0864ca
typevad:ArtForm, rdfs:Resource, vad:CreativeWork, vad:PaintingForm, vad:Watercolor, vad:ArtRealization, vad:VisualArtForm, vad:Art, vad:VisualArts
copyright noticecopyright © 2025 Rick Spates. All Rights Reserved.
created date2025-12-22
descriptionExperiencing the colorful changing of the guard at Gyeongbokgung Palace
has artist profileWatercolor materials profile
has paperthe:FabrianoArtisticoGranaFinaColdPress
has techniquethe:washFlat, the:masking, the:PenNibMask, the:watercolorTextureTechnique, the:watercolorGlazing, the:wetOnDry
has watercolor paintthe:UltramarineBlueLightLCS, the:PrussianBlueLCS, the:BurntUmberDD, the:UltramarineBlueDarkLCS, the:IvoryBlackDD, the:CadmiumRedMediumDD, the:CadmiumGreenLCS, the:LemonYellowLCS, the:UltramarineLCS, the:IndigoBlueLCS, the:PottersPinkLCS, the:CadmiumRedLightDD, the:CeruleanBlueLCS, the:NaplesYellowLightLCS, the:NaplesYellowDarkLCS
height11 inches
identifier81538071-0b52-425c-b63e-672fcb0864ca
image
labelChanging of the Guard
licensework:CC-4-0
locationSeoul, S Korea
noteA very warm day in Seoul.
published date2025-12-22
QRcode
tagKorea 2 Notes, Changing of the Guard Criticism
width15 inches
work on siterickspates.art

Tags

Property Value
TagChanging of the Guard Criticism
definitionProvide an art criticism of this in-progress watercolor, 15"x11" on 300 lb cold press entitled 'Changing of the Guard'
TagKorea 2 Notes
definitionA sketch of an autumn scene Color guard Prussian blue Ultramarine Cadmium, red, medium, and light Cadmium yellow Chrome green Black Vermillion Alizarin White Need to mask highlights on roof Brushstroke virtuosity Fidelity 1. The leading figures' shadows should be the darkest and most defined. As figures recede, shadows soften and edges soften simultaneously. Allow shadows in the foreground to have sharper edges and slightly darker cores. In the distance, shadows can partially merge with the ground tone. 2. Add texture to foreground of middle plane, Micro-texture, faint drybrush 3. Temperature variation across the plane Foreground: slightly warmer (yellow–ochre bias). Mid-ground: neutralized warmth (ochre tempered with a hint of blue or violet). Background: marginally cooler, even if still “warm.” 4. Selective sharpening More decisive edge transitions at key joints (legs, hems, flag poles) The contact points where feet meet the ground (foreground only) The lower hem of the robe where it contrasts with the ground One or two folds catching light on the torso The flag pole edge where it overlaps sky or architecture 5. Value contrast as a depth cue Deepen the darkest dark slightly (often in the trousers or shadowed side of the robe). Clarify the lightest light just adjacent to it.



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